5 Stars, The Scotsman. Edinburgh.
There’s a marvellous and mysterious kind of alchemy at work in author and actor Michael Milligan’s mesmerising, harrowing indictment of US healthcare. Not only is it theatre distilled to its most basic essentials – one ordinary individual telling his story, as if to an invisible interrogator, his only props a table and chair – but it’s unambiguously specific in its objectives: to attack a system responsible for more than 60 per cent of US personal bankruptcies, within which most of those driven to this last resort had health insurance when their medical problems began.
It’s also patently fuelled by profound outrage, and yet all these elements are so skilfully and meticulously controlled, in both the writing and performance, so thoroughly transmuted in service of storytelling, drama and characterisation, that the effect is gripping first and foremost on a painfully human level, even as Milligan simultaneously delves beneath the foreground issues to the personal and national philosophies underlying the debate Stateside….
Read the entire review from The Scotsman
Now playing at the American Theater Company